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From Liberation, at the Laura Pels. Photo: Joan Marcus Why aren’t we all talking more about Bess Wohl? I remember wondering as much almost six years ago, when her incisive climate-crisis tragicomedy Continuity crept with deceptively light footsteps into my consciousness and quietly refused to leave. Now, I’m still regaining…

Christian Slater and friend in Curse of the Starving Class, at the Signature Center. Photo: Monique Carboni Watching Curse of the Starving Class as revived at the the New Group, you may spend just as much time as the members…

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Paul Mescal and Patsy Ferran in A Streetcar Named Desire at BAM. Photo: Julieta Cervantes The woman behind me gasped when Paul Mescal’s shirt came off. Meanwhile, I was getting a little breathless over Tennessee Williams. There are certain plays…

Damon Daunno, playing the ne’er-do-well Macheath, in The Counterfeit Opera. Photo: Nina Westervelt It’s a strange sensation to sit in the lovely wood-and-concrete amphitheater of Little Island, a bauble gifted to the city by media magnate Barry Diller, and hear…

A production like this ends up taking a sadistic stance towards its own audience, insisting that because it is punishing you for caring about its suffering character, it is doing something serious and valuable. Photo: Emilio Madrid Few things are…

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